APS-C 16M “X-Trans CMOS”
Developed to take advantage of the exceptional resolution of the XF lens, a revolutionary new sensor inspired by film.
X-Trans CMOS
Moiré is tackled at its root cause by the innovative color filter array of the new sensor. By enhancing the aperiodicity (randomness) in the array arrangement, the color filter minimizes the generation of moire and false colors, eliminating the necessity for an optical low-pass filter in the lens and enabling the sensor to capture the full “unfiltered” resolution and descriptive quality of the XF lens.
Conventional Color Filter Array
Lens with optical low-pass filters
1. Lens
2. Sensor
3. Optical low-pass filter
Traditonal optical low-pass filters inhibit moiré and false colors but consequently lead to a loss in resolution. The repeating arrangement of the 2x2 pixel sets tends to generate moire and false colors when shooting stripes and other regular patterns.
Newly-Developed Color Filter Array
X-Pro1 No optical low-pass filter
1. Lens
2. Sensor
3. Inspired by the natural random arrangement of the fine grains of silver halide in film.
The new filter changes the rules of digital photography. Without using an optical low-pass filter, moiré and false colors are eliminated, but high resolution is maintained.
The high aperiodicity (randomness) of the arrangement of pixels in 6x6 sets reduces the occurrence of moire. Also the presence of an R, B and B pixel in every vertical and horizontal pixel series minimizes the generation of false colors and delivers higher color reproduction fidelity.
XF LENS
Designed especially for the X-Pro1, the FUJINON XF Lens series promises enhanced resolution and light volume in image edge areas as well as reduced chromatic aberration for exceptional image quality. Featuring an all-glass aspherical lens and other elements, the lens is polished to perfection and treated with Super EBC coating. Holding the high-quality metal barrel and operating the precision-machined 1/3-step aperture ring is a sensation that fires the desire to capture every scene. For photographers who seek the peak of photographic excellence, FUJIFILM raises the curtain on a new era of interchangeable lenses and unveils a premium lineup of 3 single-focal length lenses.
X MOUNT
To exploit every photon of the exceptional descriptive performance of these new lenses, an original lens mount has been specially designed for X-Pro1. The reinforced mount ring is remarkably thin - approximately 2.5mm - further improving X-Pro1's slim profile when the lens is mounted. Using a 10 pin system, the lens instantly sends information to the camera body through the lens mount, making the lenses work seamlessly with the body and letting the photographer concentrate on what is really important - beautiful photographic expression.
Hybrid Multi Viewfinder
Next-generation Hybrid Viewfinder optimizes magnification according to the mounted lens.
Featuring the freedom to switch between an optical and electronic viewfinder, the Hybrid Viewfinder has evolved to meet the challenge of interchangeable lenses. When an XF series lens is mounted, lens data are communicated to X-Pro1, and viewfinder magnification (2 types) and frame size (multiple steps) are automatically switched. Peering through the viewfinder with all your attention focused on the subject. This simple style of shooting is the both the first step back to the essential pleasure of photography. Every lens change reveals a new world of beauty to capture.
Optical Viewfinder (OVF)
Perfectly frame each shot with the sharply defined bright frame projected by a built-in, high-performance LCD panel. You also have the freedom to customize what information is displayed in the viewfinder for easy confirmation of the settings you need.
Perfectly Frame and Preview Your Shot with the Electronic Viewfinder (EVF)
Enjoy 100% coverage on a sharp image display produced by a 0.47-inch high definition LCD boasting approximately 1,440,000 dots of resolution. Delivering a crisp, clear display of the scene for both “Live View” framing and a quick post-shot review of your results, the EVF is ideal when composing macro shots and other scenes that demand high-precision framing.
1. Exposure Compensation
2. Depth of Field Indicator
3. Shutter Speed
4. Exposure Mode
5. Image Quality and Size
6. Number of Available Frames
7. AF Target Mark
8. Distance Indicator
9. ISO Sensitivity
10. Aperture
11. Shooting Frame (OVF only)
Magnifying System
Color Reproduction of Fujifilm
Multiplex Exposure, Film Simulation modes and more to meet your expectations.
“Studio Ready” Professional Color Negative Film Modes for Perfect Portraits
PRO Neg.Std : Capture photos with soft gradations and exceptional skin tone description.
PRO Neg.Hi : Add a touch more tonal texture and color vibrancy to photo expression.
Reproduce Photo Film Expression with Film Simulation Mode
Just like choosing the perfect film to match your creative direction, the X-Pro1 can simulate the color and tonal qualities of acclaimed film brands including the true-to-scene natural look of PROVIA, the vibrant tonality and saturated colors of Velvia and the silky soft look and beautiful skin tones of ASTIA. Film Simulation mode makes it simple to capture the expressive color quality of the rich legacy of Fujifilm photo film technology.
Enhance Monochrome Expression with Color Filters
Replicating the effects of monochrome film photography, X-Pro1 lets you use color filters to expand your photographic expression. Heighten contrast with the Ye filter and R filter. Brighten greens and deepen reds with the G filter. Just as pro film photographers once selected a filter and printing paper to complement their creative vision, you can easily tune image quality with filters. You can also transform your subject with the warm nostalgic tones of Sepia mode.
Add a New Dimension to Photographic Expression with Multiplex Exposure
In film cameras, multiplex exposure is the unique photographic technique of superimposing one image on another by double exposing a single frame of film. Through advanced digital processing, X-Pro1 can simulate this technique, expanding your creative expression. Just select Multiplex Exposure mode and take your first shot using either OVF or EVF. While viewing it on the LCD screen, you can frame and shoot the second exposure. This ability to precisely position and focus the second shot lets you not only “see” how the finished Multiplex Exposure image will look, but also explore other creative photographic possibilities.
- 1st exposure
- View when shooting the 2nd exposure.
- Finished Multiplex Exposure image
Selection of 4 Powerful Auto Bracketing Functions
Experience a wide world of photographic expression with a choice of 4 different auto bracketing functions (AE, ISO Sensitivity, Dynamic Range and Film Simulation).
AE Bracketing
One press of the shutter captures 3 shots of the same scene at different exposures. AE bracketing can be set in 1/3, 2/3 and 1 EV steps.
ISO Sensitivity Bracketing
Based on a single exposure, this bracketing function automatically reproduces the scene as 3 images, each with a different ISO sensitivity and without changing the shutter speed and aperture, letting you capture the moment with varying degrees of brightness. Setting is possible in 1/3, 2/3 and 1 EV steps.
Dynamic Range Bracketing
Press the shutter once and high-speed continuous shooting captures 3 exposures of the same scene, each at a different dynamic range setting (100%, 200% & 400%).
Film Simulation Bracketing
Just release the shutter once and produce 3 images of the scene based on a single exposure, each image with a different Film Simulation effect that you have freely selected and pre-set.
High Performance LCD Monitor
Approx. 1,230,000 Dots of High Resolution. Special Coating with Surface Reflectivity Under 0.2%*
Boasting a special anti-reflective coating (surface reflectivity of under 0.2%*), the superior LCD features high water repellency, a stain-resistant acrylic film and superb anti-glare performance for comfortable composition and confirmation of shots even under bright sunlight.* Fujifilm research.
Q (Quick Menu) Button for Fast Shooting Menu Settings
Skip directly to frequently used shooting menus with the Q (Quick Menu) button. ISO sensitivity setting, White Balance, Film Simulation and other frequently used shooting settings are displayed in a list. Just use the 4-way controller to select the item and the command dial to change settings for speedy operation while shooting.
Swift Menu Page Selection and Scroll-free Navigation Within Each Page
In the Shooting and Playback menu, functions are organized into tabbed single-page screens for fast selection and setting. Just select a tab and find the item in the displayed list without scrolling.
- 1. Shooting menu (5 pages)
- 2. Set-Up menu (3 pages)
- 3. PlayBack menu (2 pages)
- 4. Set-Up menu (3 pages)
In-camera RAW Converter
The built-in RAW data converter lets you view results in the field without first transferring the data to a PC. This easy-to-use feature not only takes into account exposure compensation, white balance and other in-camera image quality settings, but also lets you apply Film Simulation modes in the converter mode.
Focusing
Selectable AF with a 49-point Metering Matrix
Within the screen, the auto focus area is divided into a 49-point matrix (25 points in the case of OVF). AF accurately and swiftly recognizes the primary subject and brings it into crystal clear focus, and also lets you freely select the position of the AF frame. When using the EVF and LCD, you can also change the AF frame size and pinpoint the focusing.
0.05-sec Shutter Time Lag Even Shooting with the EVF
Even in Live View, shutter time lag is only 0.05 sec so you can capture that exact instant and enjoy a comfortable shooting experience.
High-speed Auto Focus Achieved by Lens-Sensor Synergy
XF lens focusing is driven by a fast “DC coreless motor”. Accelerated by the combination of the high-speed signal readout of the X-Trans CMOS sensor and the newly developed EXR Processor, the improved contrast detection AF in X-Pro1 makes a huge leap in speed and precision, bringing your subject in to sharp focus in as little as 0.1 sec*.
2 Manual Focusing Methods
In the viewfinder, the distance index bar is displayed together with the depth of field scale and aperture value, providing helpful guides for focusing. You can also adjust focus by rotating the focus ring while checking the image in Live View and using the one-touch Focus Point Zoom to confirm a sharp focus.
AF Assist Lamp for Low-Light Scenes
In low-light settings where even the subject is hard to see through the viewfinder, the AF Assist Lamp illuminates the subject and assists Auto Focus.
White Balance Setting
Color Temperature (Kelvin Value) Setting
Compensate for the color of different light sources with a choice of 9 white balance presets in addition to Auto White Balance. You can also make custom white balance settings using a gray card or other surface, or select the optimum color temperature (Kelvin value).
Precise White Balance Setting
Fine tune white balance by adjusting R (red) ⇔ Cy (cyan) and B (blue) ⇔ Ye (yellow) in ±9 steps while viewing the through-the-lens image. You can make adjustments and confirm their affect on the actual image while shooting. It is ideal for precise correction of white balance or exploration of the creative effects that can be achieved with filters.
ISO100-25600 Sensitivity Setting Range
Expand the normal sensitivity range of ISO200-6400 to ISO100-12800 or even ISO25600. By assigning this setting to the Fn button, extended sensitivity is available at the touch of a button.
ISO Auto Setting
For dynamic lighting conditions, you can set a sensitivity ceiling within the range of ISO400-3200 and shoot with ISO Auto.
Image Quality Control
Color, Tone & Sharpness Adjustment
Fine-tune image quality with “Color” for color saturation adjustment, “Highlight Tone” and “Shadow Tone” for tweaking contrast in highlights and shadows, and “Sharpness” to stress or soften image outlines. With this built-in detailed image quality control, you can produce an image that precisely matches your creative objective.
2 Color Space Types
Select either sRGB for a standard range of color reproduction on general displays or Adobe RGB® for its broader color rendition depending on how you intend to output and use the image.
Noise Reduction Control
Choose from 5 different levels of noise reduction depending on whether your priority is the crispness of resolution or keeping noise reduction to a minimum, and explore the capability to tune sensitivity-related textural quality when shooting high-sensitivity scenes.
6fps High Speed Continuous Shooting
Shoot up to 6 frames per second with high-speed continuous shooting. Capture a series of exposures of moving subjects and other challenging photographic scenes and later select the best shot.
Motion Panorama
Capture Panorama Shots and Show Them in Stunning Large-size Prints
Just sweep the camera across the scene, and X-Pro1 captures multiple images and seamlessly stitches them together into a single panorama photo. Even when enlarged to an A3-size print, there is virtually no loss of resolution. Holding the camera horizontally or vertically or horizontally, Motion Panorama lets you shoot the scene with an “M” or “L” angle of view
HD MoviePremium Quality Movies
Capture the action in Full HD movies (1920 x 1080, 24fps, max. clip length : 29 minutes). In addition to full AUTO exposure, you can also shoot with aperture priority AE. Taking full advantage of the bright XF lenses, you can also capture movies with a beautiful defocused “bokeh” background. Later with plug-and-play ease, you can connect X-Pro1 directly to your TV with a commercially available HDMI cable and share your movies complete with stereo audio on the big screen.
Power Control System
Power Save Mode for Up to 1,000 Shots on a Full Charge
Turn this mode on when using the optical viewfinder, and the power saving system is activated, tripling the maximum number of images per full charge from approx. 300 images in normal operation to about 1,000 images. It is ideal for stretching your battery capacity and getting a few more valuable shots out of your charge.
* When Quick Start Mode is OFF.
* Maximum shots in the case of a fully charged NP-W126 lithium battery pack based on FUJIFILM research.
Quick Start Mode
After turning OFF the power, the X-Pro1 enters a “sleep” status for maximum of 24 minutes. If the power is turned ON during this time, the X-Pro1 “wakes” in approximately 0.5 - 1.0 sec. and is ready for you to frame and capture the moment.
Customization Functions
Assign Frequently Used Functions to the Fn Button
Assign any one of the following frequently used functions to the Fn (Function) button and enjoy smooth one-touch controls during shooting.
Multiplex Exposure / ISO sensitivity (default setting) / Depth of field confirmation / Image size / Image quality mode / Dynamic range / Film simulation / AF mode selection (area selection/auto area) / Movie shooting / Custom setting / Self timer / RAW (one shot override) / White balance etc.
Save Custom Settings
Create, save and instantly recall up to 7 sets of user-defined settings covering all parameters from ISO sensitivity to white balance. No fumbling through menus and missing the shot. You are ready with your favorite pre-defined settings to smoothly capture the scene.
Specifications
|
Model Name
|
FUJIFILM X-Pro1 |
|---|
| Number of effective pixels |
16.3 million pixels |
|---|
|
Image sensor
|
23.6 mm x 15.6 mm (APS-C) X-Trans CMOS with primary color filter
- Sensor Cleaning system
- Ultra Sonic Vibration
|
|---|
|
Storage media
|
SD memory card / SDHC memory card / SDXC (UHS-I) memory card*1 |
|---|
|
File format
|
- still image
- JPEG (Exif Ver 2.3)*2,
RAW (RAF format), RAW+JPEG
(Design rule for Camera File system compliant / DPOF-compatible) - movie
- H.264 (MOV) with Stereo sound
|
|---|
| Number of recorded pixels |
L : (3:2) 4896 x 3264 / (16:9) 4896 x 2760 / (1:1) 3264 x 3264
M : (3:2) 3456 x 2304 / (16:9) 3456 x 1944 / (1:1) 2304 x 2304
S : (3:2) 2496 x 1664 / (16:9) 2496 x 1408 / (1:1) 1664 x 1664
<Motion Panorama>
L Vertical: 7680 x 2160 Horizontal: 7680 x 1440
M Vertical: 5120 x 2160 Horizontal: 5120 x 1440 |
|---|
|
Lens mount
|
FUJIFILM X mount |
|---|
|
Compatible Interchangeable lens
|
- FUJINON LENS XF18mmF2 R
- FUJINON LENS XF35mmF1.4 R
- FUJINON LENS XF60mmF2.4 R Macro
|
|---|
|
Sensitivity
|
Equivalent to ISO 200 - 6400 (Standard Output Sensitivity)
AUTO mode : AUTO (400) / AUTO (800) / AUTO (1600) / AUTO (3200)
Extended output sensitivity equivalent ISO 100, 12800 and 25600 |
|---|
|
Exposure control
|
TTL 256-zones metering, Multi / Spot / Average |
|---|
|
Exposure mode
|
Programmed AE, Shutter priority AE, Aperture priority AE, Manual exposure |
|---|
|
Exposure compensation
|
-2.0 EV - +2.0 EV, inclement with 1/3 EV step |
|---|
|
Shutter control
|
Focal Plane Shutter |
|---|
|
Shutter speed
(with mechanical shutter)
|
(P mode) 1/4 sec. to 1/4000 sec.,
(All other modes) 30 sec. to 1/4000 sec.
Bulb (max. 60 min.)
Time 2 to 30 sec.
Synchronized Shutter speed for flash :
1/180 sec or slower (P mode or A mode)
1/160 sec or sowler (S mode or M mode)
* 1/180 sec can be automatically set at some shooting conditions on P mode or A mode. |
|---|
|
Continuous shooting
|
Max 6 / 3 fps selectable |
|---|
|
Auto bracketing
|
AE Bracketing (±1/3 EV, ±2/3 EV, ±1 EV)
Film Simulation Bracketing (Any 3 type of film simulation selectable)
Dynamic Range Bracketing (100%, 200%, 400%)
ISO sensitivity Bracketing (±1/3 EV, ±2/3 EV, ±1 EV) |
|---|
|
Focus
|
- mode
- Single AF / Continuous AF / MF Distance Indicator
- type
- TTL contrast AF, AF assist illuminator available
- AF frame selection
- Area (EVF / LCD: 49 areas with 7 x 7, OVF: 25 areas with 5 x 5) / Multi
* changeable size of AF frame: among 5 type
|
|---|
|
White balance
|
Automatic scene recognition
Custom, Color temperature selection (K)
Preset: Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, underwater |
|---|
|
Film Simulation mode
|
10 type (PROVIA/STANDARD, Velvia/VIVID, ASTIA/SOFT, PRO Neg Hi, PRO Neg Std, MONOCHROME, MONOCHROME+Ye FILTER, MONOCHROME+R FILTER, MONOCHROME+G FILTER, SEPIA) |
|---|
|
Dynamic range setting
|
AUTO (100-400%), 100%, 200%, 400% |
|---|
|
Self-timer
|
Approx. 10 sec. / 2 sec. Delay |
|---|
|
Flash modes
|
Hot shoe with TTL contacts; sync terminal
Red-eye removal OFF: Auto, Forced Flash, Suppressed Flash, Slow Synchro, Rear-curtain Synchro.
Red-eye removal ON: Red-eye Reduction Auto, Red-eye Reduction & Forced Flash, Suppressed Flash, Red-eye Reduction & Slow Synchro, Red-eye Reduction & Rear-curtain Synchro. |
|---|
|
Hot shoe
|
Yes (dedicated TTL Flash compatible) |
|---|
|
Viewfinder
|
- Hybrid Multi Viewfinder
- Optical viewfinder
- Reverse Galilean viewfinder with electronic bright frame display
Magnifications: 0.37x / 0.6x
Coverage of frame area v.s. capturing area: approx. 90% - Electronic viewfinder
- 0.47-in., approx. 1,440,000-dots color LCD viewfinder
Coverage of viewing area v.s capturing area: approx. 100% - Eye sensor installed
- Eye point:
- approx. 14 mm
|
|---|
|
LCD monitor
|
3.0-inch RGBW (White) LCD monitor, approx. 1,230,000 dots, (Approx. 100% coverage) |
|---|
|
Movie recording
|
1920 x 1080 pixels, 1280 x 720 pixels (24 frames/sec.) with stereo sound
Individual movies can not exceed 29 minutes in length. |
|---|
|
Photography functions
|
Select custom setting, Motion panorama, Color space, Color (Saturation), sharpness, Dynamic range, Film simulation, Gradation, Auto red-eye removal, Framing guideline, Frame No. memory, Histogram display, Preview depth of focus, Focus check, Electronic level, Multiple exposure, Date input, Fn button setting (RAW, Movie, etc) |
|---|
|
Playback functions
|
RAW conversing, Image rotate, Red-eye reduction, Photobook assist, Erase selected frames, image search, Multi-frame playback (with micro thumbnail), Slide show, Mark for upload, Protect, Crop, Resize, Panorama, Favorites |
|---|
|
Other functions
|
PictBridge, Exif Print, Languages selection, Time difference, Quick start mode, Power save mode, Silent mode |
|---|
|
Terminal
|
- Video output
- -
- Digital interface
- USB 2.0 High-Speed
- HDMI output
- HDMI mini connector
|
|---|
|
Power supply
|
NP-W126 Li-ion battery (included) |
|---|
| Dimensions |
139.5 (W) x 81.8 (H) x 42.5 (D) mm / 5.5 (W) x 3.2 (H) x 1.7 (D) in.
(Minimum depth: 34.1 mm / 1.3 in.) |
|---|
|
Weight
|
Approx. 450 g / 15.9 oz. (including battery and memory card)
Approx. 400 g / 14.1 oz. (excluding battery and memory card) |
|---|
|
Operating Temperature
|
0°C - 40°C |
|---|
|
Operating Humidity
|
10 - 80% (no condensation) |
|---|
|
Guide to the number of available frames for battery operation
|
approx 300 frames |
|---|
|
Starting up period
|
Approx. 0.5 sec. ( Approx 1.0 sec, when QUICK START mode and Power save mode is set to OFF)
- * evaluated by FUJIFILM method
|
|---|
|
Accessories included
|
Li-ion battery NP-W126
Battery charger BC-W126
Shoulder strap
USB cable
Body cap
Metal strap clip
Protective cover
Clip attaching tool
CD-ROM (Viewer software, RAW File Converter etc.*3)
Owner's manual |
|---|
|
Optional accessories
|
Li-ion battery NP-W126
Battery charger BC-W126
Shoe Mount Flash EF-X20 / EF-42 / EF-20
Interchangeable lens FUJINON LENS XF18mmF2 R
Interchangeable lens FUJINON LENS XF35mmF1.4 R
Interchangeable lens FUJINON LENS XF60mmF2.4 R Macro
Protector Filter PRF-52 52 mm Φ
Protector Filter PRF-39 39 mm Φ
Hand Grip HG-XPro1
Leather Case LC-XPro1
* The lens of focal length at 35 mm or less can be placed in this leather case with the camera X-Pro1. |
|---|
- *1 Please see the Fujifilm website to check memory card compatibility.
- *2 Exif 2.3 is a digital camera file format that contains a variety of shooting information for optimal printing.
- *3 OS compatibility
Viewer software: Windows 7 / Vista / XP, Mac OS X 10.9-10.6
RAW File Converter: Windows 7 / Vista / XP, Mac OS X 10.9-10.7
Memory Card Capacity and Image Quality / Size
All figures are approximate; file size varies with the scene recorded, producing wide variations in the number of files that can be stored.
Number of images
| Modes | Still image (L) |
|---|
| Number of recorded pixels | 4896 x 3264 (3:2) | 4896 x 2760 (16:9) | 3264 x 3264 (1:1) |
|---|
| Quality | JPEG FINE | JPEG NORMAL | JPEG FINE | JPEG NORMAL | JPEG FINE | JPEG NORMAL |
|---|
| SDHC memory card | 4 GB |
620 |
990 |
730 |
1160 |
930 |
1450 |
|---|
| 8 GB |
1250 |
1990 |
1480 |
2340 |
1870 |
2920 |
|---|
Number of images
| Modes | Still image (M) |
|---|
| Number of recorded pixels | 3456 x 2304 (3:2) | 3456 x 1944 (16:9) | 2304 x 2304 (1:1) |
|---|
| Quality | JPEG FINE | JPEG NORMAL | JPEG FINE | JPEG NORMAL | JPEG FINE | JPEG NORMAL |
|---|
| SDHC memory card | 4 GB |
990 |
1930 |
1160 |
2290 |
1470 |
2810 |
|---|
| 8 GB |
1990 |
3880 |
2340 |
4600 |
2960 |
5650 |
|---|
Number of images
| Modes | Still image (S) |
|---|
| Number of recorded pixels | 2496 x 1664 (3:2) | 2496 x 1408 (16:9) | 1664 x 1664 (1:1) |
|---|
| Quality | JPEG FINE | JPEG NORMAL | JPEG FINE | JPEG NORMAL | JPEG FINE | JPEG NORMAL |
|---|
| SDHC memory card | 4 GB |
1850 |
3540 |
2170 |
4130 |
2750 |
3990 |
|---|
| 8 GB |
3710 |
7110 |
4360 |
8290 |
5530 |
8020 |
|---|
Number of images
| Modes | Still image |
|---|
| Number of recorded pixels | Motion Panorama L Vertical
7680 x 2160 | Motion Panorama L Horizontal
7680 x 1440 | Motion Panorama M Vertical
5120 x 2160 | Motion Panorama M Horizontal
5120 x 1440 |
|---|
| Quality | JPEG FINE | JPEG NORMAL | JPEG FINE | JPEG NORMAL | JPEG FINE | JPEG NORMAL | JPEG FINE | JPEG NORMAL |
|---|
| SDHC memory card | 4 GB |
480 |
950 |
720 |
1400 |
720 |
1400 |
1060 |
2100 |
|---|
| 8 GB |
970 |
1910 |
1440 |
2820 |
1440 |
2820 |
2140 |
4210 |
|---|
Number of images
| Modes | Still image (RAW) |
|---|
| SDHC memory card | 4 GB |
160 |
|---|
| 8 GB |
320 |
|---|
Recording time
| Modes | Movie*4 |
|---|
| Number of recorded pixels | Movie recording time |
|---|
| Quality | FULL HD (1920 x 1080)*5 | HD (1280 x 720)*5 |
|---|
| SDHC memory card | 4 GB |
38min. |
54min. |
|---|
| 8 GB |
1hr. 16min. |
1hr. 49min. |
|---|
- *4 Use a
card or better.
- *5 Individual movies can not exceed 29 minutes in length.